Take what you need while there's time,
The city will be earth in a short while.
If I'm not mistaken,
It's been in flames.
You and I will escape to the seaside.
--From "Lighthouse" by The Hush Sound
Lately a confluence of events has dumped a diverse array of post-apocalyptic media on my lap. The genre fascinates me: how many different ways can you imagine the end of the world? Will it be nuclear? An eco-crisis? A plague? It's all very chilling, considering how closely we're flirting with any number of dooms these days. Here's the breakdown of what I've been checking out:
The Road
A stunning, heartbreaking novel by Cormac McCarthy, this novel rightly won the Pulitzer last year for fiction. The sparse, stripped-down narrative style left me starved for details, which turned out to be a very interesting and perhaps unintentional way of helping me sympathize with the two main characters, a father and son who are making their way across a burned and blackened countryside. Some unnamed cataclysm brought about this nightmarish landscape some five years ago; the father and son are confronted in turn by extreme hopelessness and faint, fleeting tenderness. Staggeringly matter-of-fact in its setting and tone, I think The Road will be with me for a while. Look for the movie in 2008.
World War Z
A perennial Crowdpleaser fave, I recently purchased this sucker in paperback to get me through a four-hour airport layover. I've read it before, so I'll simply point readers to my September 2006 review of the book.
Time of the Wolf
I've been interested in this French movie for some time now, but when it arrived in the mail from Netflix I ended up being too bored to finish it. It's not that it's a bad movie; quite the contrary, the film ratchets up the tension quite well with the story of a displaced family traveling the French countryside after some unnamed apocalypse befalls the land. And though I could recognize the talented filmmaking, overall it was a bit too sedate for my liking.
Wasteland
I loved Wasteland last year, but now it's stagnating for me. At first, the potential for a comic book about a stranger wandering a dry, barren post-apocalyptic earth seemed perfect. However, writer Antony Johnston has delved deeper into the one aspect of the story that I could do without: the religion. In his world, a sun-worshipping religious minority is being oppressed by the ruling class in a sprawling metropolis. Yawn. I could get that storyline from any number of comic books. I first picked up Wasteland because I thought the action would stay where it belonged--out in the desert, the wasteland itself. The raw appeal of the story seems to have dissipated now that the characters are involved in political intrigue in the city. Get 'em out now, I say, and keep the namesake of the book intact.
Oh, and the opening song lyric there is a remarkable one I found from The Hush Sound. Those four lines pretty much sum up the entirety of The Road. Coincidence? You be the judge.